SAM ROUNDTABLE MEETINGS

Philosophical Hermeneutics and Art

Burhanettin Tatar

Friday, April 6, 2018 5:00 PM Salon: ŞAKİR KOCABAŞ SALONU

• The Euroscepticism in Turkey: An Analysis of PRP (CHP), NAP (MHP), and JDP (AKP)
• Turkish-Persian Literary Relations
• Manifestation of Sufi Tradition in the Ottoman Political Thought
• The Concept of Circle of Justice: Its Genesis and the Basic Elements
• Metaphysical Evil and Art
• Ottoman Philosophical Legacy
• Sociology of Music Reform: Consistance and Change in Classical Turkish Music
• Turkish Musiki/Music Revolution
• Philosophy of Death
• From Musiki To Music: Ottoman Turkish Music Between Tradition and Modernity
• Political Philosophy of Farabi: Its Origins and Originality
• Divine Perfection in terms of Philosophy of Religion
• Music in Ottoman Education System
• Self-Knowledge in Avicenna and Descartes
• Babanzade Ahmed Naim as a Member of Darulfunun Philosophy Department
• Military Music in Turks: Tug, Nevbet, Mehter
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Law and Morality: Bounded or Distinct? An Argument on Hart
• Dream (Rüya)
• On the Track of Tale
• Confronting through Foreign Policy: AK Party, Military and Kemalism)
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• Ethical and Political Thougth of Taşkoprizade
• Turkish Novel ve Politics
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• Turkish Tradition Theater and Karagöz
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Execution style of Karagöz Music
• Carl Schmitt's Partisan Theory
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Did Karagoz come from Egypt?
• Realm of Examples in Ishraq Philosophy
• Islamic Visual Culture between Theory and Practice
• Karagoz and Cinema
• The Possibility of Talking about Being in Terms of Being: An Analysis Based on Islamic Metaphysical Traditions
• Histrocitiy of the World in Hegel and Heidegger
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Örencik Houses
• Economy-Politics of the Turkish Foreign Policy During the AK Party Period
• Deification in ancient Greek Philosophy
• Furu-ı Fıqh Books as a Source of Islamic Political Thought
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• A Trilogy on the House: Bademli - Hacımercan – Yedievler
• The Metaphysics of Sacred Art
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• A Wooden Building Cooperative in Afyon
• Science in 2017: Inventions, Innovations, Expectations
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• A Neighborhood Fiction: İznik Toki Houses
• America and the Making of Modern Turkey: Science, Culture and Political Alliances
• Tanburi Cemil Bey
• Everday Life, Status Groups and the Sayfiye Culture in Kadıköy During the Second Constitunional Period
• House Indeed: An Adobe House in Kahramanmaraş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• The Issues Concerning the Origin of Turkish Cinema History
• Cinema and Philosophy
• Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
• House in the East Blacksea and a New Trial: House of Yaşar
• From the 19th Century to the Present: Romance, Melancholy and Politics
• Cultural Production Spaces in Ottoman Society
• The Legend of Yaşar Kemal
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• The Story of Two Houses in Fatih
• A Collective Biography Study of Musicians in the Late Ottoman Istanbul: Patterns, Networks and Music as a 'Profession
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• The Same Man's Story: İsmet Özel and Partisan
• The Challenge of Algorithmic Fiqh
• Yaralı Erkeklikler: 12 Mart Romanlarında Yalnızlık, Yabancılaşma ve Öfke
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Let Children Play
• See the Social World of Physics and Biological Sciences
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• Hybridizing Conflicts and Power Pendulums
• İnsan Varsayımı (I): İnsanca, Pek İnsanca
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• An Urgup Experience in the Context of Locality
• İslamcıların Siyasi Görüşleri 2
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• The Street of Sedat Anar: Sokaknâme
• Transformative Impact of the Process of “İstinsâh”: The Instance of Qıssa-i Yûsuf of Yûsuf-ı Meddâh
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• From Fasıl to Chorus: Choir as a Standardizing Tool in Classical Turkish Music
• National Vision Movement: Political and Social Transformations
• Cultural Policies in the Centennial of the Republic
• Poetry and Economics: On 'Twenty Reasons I Hate John Maynard Keynes'
• Warriors Without Borders? Rethinking Foreign Fighters in Modern Conflicts
• “Hüner ile Güher: A Modern Fable Following Tradition
• Artificial Intelligence, Translation and Publishing